There’s something magical about witnessing a band that defined a generation return to the stage with the same ferocity that first catapulted them to fame. On a freezing Melbourne night, The Superjesus proved they’re not just a relic of the ’90s alt-rock boom but a still-vital force, delivering a powerhouse performance at Richmond’s iconic Corner Hotel.
From the moment Sarah McLeod strode onstage- wielding her guitar like a weapon and flashing her signature grin – the crowd was hers. The band did not disappoint, offering a setlist that spanned their storied career and introduced fresh material from their new self-titled album.
For the first half of the gig they played their new self titled album in its entirety. Their first full-length release in over two decades, the album is a return to form with the band’s signature grungy edge.
Song like “Money (We’re Only In It For Love)” and “Starlight” showcase Sarah McLeod’s powerhouse vocals and the group’s tight musicianship. There’s both nostalgia and progression here – echoes of their ‘90s heyday balanced with lyrical maturity.
A spirited cover of Billy Idol’s “Dancing With Myself” which is also on the album had the crowd in raptures.
A greatest hits set completed the gig with tracks like “Down Again”, “Shut My Eyes” and “Gravity” revving up the crowd of Gen Xs madly reliving their youths.
McLeod’s voice remains a marvel: smoky one moment, snarling the next. Her between-song banter was equal parts self-deprecating and triumphant.
As the night concluded, it was clear that The Superjesus had delivered more than just a concert—they had provided an experience that resonated with both longtime fans and newcomers alike. Their return to the Melbourne stage was not just a trip down memory lane but a powerful statement of their continued relevance in the Australian music scene.
